Wednesday, August 1, 2012

Rant I've been Holding in for weeks



Hey internet commenters who believe that is a valid argument - wonder why some women freak the f*ck out when the read that sort of "reasonable people" argument on the internet in their Magic Art thread? Let me explain why, you're so sure that fighting back makes it "not look like a victim" that the woman you are talking too is imagining ( if she has not already lived through) a rape or domestic violence scenario where she fought back and was able to avoid dying ( or maybe even avoid being raped) and presses charges against her attacker and then she goes to court, and you, a person she believes is actually just an average guy and not a rapist said this to defend a friggin' magic card with bad art ( it's bad, don't pretend otherwise) and now there is a real live flesh and blood dudebro in court and she's pretty sure that because she fought back when the defense shows "defensive wounds"  you or your brethern in reasonableness will figure that she couldn't have been a "real victim" because you weren't dead. I mean fought back. 

Of course if she doesn't fight back she also runs the risk of being told it was consensual because otherwise she would have fought back. 

So you see internet "reasonable" people, you are making an argument on an abstract point AND you are teaching women that otherwise nice guys don't see a person who fights back as someone who is subject to sexism or domestic violence or rape and a jury of some rapists peers ( because they aren't rapists) will assume the EXACT SAME THING.  So she's not gonna bother to report, and she's not gonna even say anything when you're talking about the card. Hell if she hasn't been raped she might even agree with you because that sort of shit only happens to stupid weak girls not her.  God bless the women like this, may they live the sort of lives where they never have to find out otherwise.

This sort of thinking is why women don't report things, they know people feel that way because nice guys on the internet defend the rapey card because FREEDOM and DOMINATRIXES! 

If your buds think that what the hell are strangers gonna think. 

So your female friend who games that's cool with it, she might be cool with it but she's most likely going to remember it when she thinks about all of the risks of reporting date rape or sexual harassment or domestic violence. Even if her male friends are all uber-cool guys who hate the card and sexism, the fact that this was the kind of thing she saw in her game websites and that these are the guys who grow up to be on juries mean that her having an awesome group of supportive male friends will still not be enough to undo the fact that other people in a less charged setting can't recognize the problem. 

Now make that background radiation noise amplify X1000. 

Here have some stats

When this methodology is used to screen respondents for sexual assault victimization, the literature suggests that only about 5-20% of victims report the crime to law enforcement (Fisher et al., 2000; Frazier, Candell, Arikian, & Tofteland, 1994; Kilpatrick, Edmunds, & Seymour, 1992; Kilpatrick, Resnick, Ruggiero, Conoscenti, & McCauley, 2007; Tjaden & Thoennes, 2000).



Note:  This visual schematic is based on research summarized in the paper, estimating that 5-20% of all forcible rapes (so that doesn't even count sexual harassment/date rape/marital rape- ed) are reported to law enforcement; of these reports, 7-27% are prosecuted and 3-26% yield a conviction.  The 2004 State Court Processing Statistics then suggest that 62% of all defendants who are arrested and prosecuted for rape will be convicted; of these, 95% will be sentenced with incarceration (BJS, 2008a).  The National Violence Against Women Survey (Tjaden & Thoennes, 2006) revealed that 17.6% of female and 3% of male respondents were raped at some time in their lives.  Based on U.S. Census data, this translates to 17.7 million women and 2.8 million American men (Tjaden & Thoennes, 2006, p. 7).


So this, this is why people are incoherently angry about things like tossing around rape and violence against women being treated like a big joke, because it actually is. You are more likely to get pregnant from a rape than your rape case actually being prosecuted.  Awesome. 

Yes, Some(TM)  gamer boys are the problem, internet idiots are the problem, because no one for a second believes that defenders of these things will actually ever find a rape victim to be enough of a victim when she goes to court. 

And that's why "reasonable" people making these arguments on the internet get over the top freaked out reactions from what you think is just a thought exercise or a discussion of acceptable aesthetics. Because you might be on a jury some day. 

Sunday, June 10, 2012

Reason's I'm Uncomfortable that Borderland Ranger is Hot


Welcome to the Blog where I post things that connect to other blogs:


1: I'm uncomfortable because I'm sharing this specifically because so much of the gendered discussion around Magic and gaming in general is because it's all geared "for men(boys)" with the assumption that objectified versions of powerful women are enough to get the girls along for the ride. So we never really get to see anything made with the idea of being attractive to us, some women MTG players I know find Jace or Sorin kinda hot but in a traditionally tropey way - we're supposed to like the emo looking thin MU and the metrosexual eurotrash looking vampire. I don't find either of them to be my cup of tea, but I respect the girls who do. But I'm genuinely surprised that there is a guy who is an illustration that engenders that reaction from me because it's literally the only one, not just in the set but in my entire experience with Magic. 

I like my men kind of rugged with testosterone ( not testosterone poisoning ) and competent,  really, really competent.  (Jace and Sorin are a little too er . . . androgynous for my taste) So because the illustration kind of shows off his real body proportions as being equivalent to the work he does the angle, the jaw the dressed in clothes that are practical not ridiculous and he's actually doing something useful I find him hot. And I'm not used to finding these illustrations hot and that kind of makes me uncomfortable.

I now wonder if any guys who look at the art and actually find something that turns them on because it does instead of because it "should" also ever feel uncomfortable?

2. I am well aware that if I talked about his thighs and forearms the way that some people have discussed their favorite attributes of illustrations, comic book characters and actors and actresses, there is no social context to support my discussion of "sexy" that is not basically a female imitation of the marketing male objectification. I am uncomfortable because I know that my girlfriends who are certainly not shy about evaluating men based on attributes do not actually find aesthetically pleasing men good for anything but looking at. The context does not support objectification in the right way, even though we do it, I'm pretty sure that I'm not the one to communicate it. 


Tuesday, November 30, 2010

The History Project for Baby with the Bathwater



A mobile phone from 1983

This place to find out everything you never wanted to know about parenting in the 80's and Christopher Durrang's Baby and the Bathwater.

Durang himself has written about the nature of keeping the play as a period piece. It was staged in the very early 80's and first produced in 1983.

Here is Durang's specific take on producing and updating his plays - Baby is the only one he is open to slight rewrites on


Here are some pictures of the original cast



these are from the ChristopherDurang.com website

Here is the link to Baby and the Bathwater

Here's a brief look at some of the things that were going on in 1983

An overview of society in the 1980s


Here are the things we should be considering in researching the time period

· The time and place of the scene (i.e.: New Orleans, 1936)

The writer himself says that the piece is slightly out of time but still references the 80's pop culture and a general northeastern urban type of playground with particular types of parents and buses.

The play itself is about the anxieties of parenting and the types of changes the generation was facing in a post 60's and 70's world.

Here is some sociological information about parenting during the societal transitions of the 80's

http://parenthood.library.wisc.edu/Bumpass/Bumpass.html


http://www.psychologytoday.com/articles/200309/the-permaparent-trap

There was just starting to be legal movements recognizing children as independent legal entities entitled to special protections under the law while there was simultaneously a move to hold children who committed crimes accountable in the same manner as adults

Parenting for the 80s: Key Elements of a Parent Support Program


· The world and life of the playwright (i.e.: Tennessee Williams)

http://www.imagi-nation.com/moonstruck/clsc59.html

http://www.doollee.com/PlaywrightsD/durang-christopher.html

· The physical world of the play (i.e.: What would a tenement apartment have looked like at the time? Costuming?)

What women in 1983 looked like

Here are some urban playgrounds from 1983




Popular Culture

The cult of family and the beginning of gender role backlash was starting in the early 80's

Mr. Mom was released at the same time as Baby and the Bathwater




The top grossing films of 1983 show that entertainment was focused on a number of anxieties much like those expressed by Angela, economic insecurity, terminal illnesses, the nuclear threat is still very present, fear of technology all were excellent moneymakers for Hollywood in 1983.

1983
  1. Return of the Jedi ($309.1m*) - Luke finally becomes a full-fledged Jedi, but the dark side is stronger than ever. (#8 all-time)
  2. Terms of Endearment ($108.4m) - Shirley MacLaine and Debra Winger live life to its fullest.
  3. Flashdance ($94.9m) - Alex, a welder and exotic dancer, wants to become a ballet dancer.
  4. Trading Places ($90.4m) - Dan Akyroyd and Eddie Murphy find out how the other half lives.
  5. WarGames ($79.6m) - Young Matthew Broderick unwittingly hacks NORAD's computers and poises the world on the brink of WW III.
  6. Octopussy ($67.9m) - Bond tracks a fake Faberge egg and a dead 00 agent to a plot to instigate world war.
  7. Sudden Impact ($67.6m) - Dirty Harry on the trail of a vicious serial killer (is there any other kind?)
  8. Mr. Mom ($64.8m) - Michael Keaton loses his job and becomes an utterly clueless stay-at-home dad.
  9. Staying Alive ($63.8m) - Saturday Night Fever's Tony returns in this sequel directed by Sylvester Stallone!
  10. Risky Business ($63.5m) - Stressed about college and trashing his father's Porsche, Joel does the logical thing... turns his house into a brothel!

Grammy Awards for 1983

Album of the Year:
Thriller by Michael Jackson

Record of the Year:
"Beat It," by Michael Jackson

Song of the Year:
"Every Breath You Take," by Sting

Pop Vocal - Male:
MIchael Jackson,
Thriller

Pop Vocal - Female:
Irene Cara, "Flashdance...What A Feeling"

Pop Performance - Duo or Group with Vocal:
The Police, "Every Breath You Take"

Rock Vocal - Male:
Michael Jackson, "Beat It"

Rock Vocal - Female:
Pat Benatar, "Love Is A Battlefield"



Rock Performance - Duo or Group with Vocal:
The Police,
Synchronicity

New Artist:
Culture Club